Oil On Canvas, Real Flavor of Old Masters

All Lucas van Leyden 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
42939  
A Man Aged Thirty-eight, Lucas van Leyden
 
 A Man Aged Thirty-eight   mk170 circa 1520 Oil on oak 46.7x40.8cm
2449  
Card Players, Lucas van Leyden
 
 Card Players   National Gallery of Art, Washington DC
85236  
Card Players, Lucas van Leyden
 
 Card Players   between 1508(1508) and 1510(1510) Medium Oil on panel cyf
90315  
Card Players, Lucas van Leyden
 
 Card Players   Oil on panel, 56 x 70 cm, National Gallery of Art, Washington Date 1508 - 10 cyf
96276  
Card Players, Lucas van Leyden
 
 Card Players   1525(1525) Medium oil on panel cyf
84691  
Christ Healing the Blind, Lucas van Leyden
 
 Christ Healing the Blind   Date 1531(1531) Medium Oil on canvas transferred from wood cjr
88615  
Christ Healing the Blind, Lucas van Leyden
 
 Christ Healing the Blind   1531(1531) Medium Oil on canvas transferred from wood cyf
92017  
Der heilige Andreas in Halbfigur, Lucas van Leyden
 
 Der heilige Andreas in Halbfigur   oil on oak panel. 22 X 17 cm. Karlsruhe, Staatliche Kunsthalle. Inventory number 1478. Date c. 1518 (1513-1523) cyf
88584  
Der heilige Andreas in Halbfigur, vor Landschaft, Lucas van Leyden
 
 Der heilige Andreas in Halbfigur, vor Landschaft   Oil on oak panel. 22 x 17 cm. c. 1518 (1513-1523) cjr
73621  
fortune teller, Lucas van Leyden
 
 fortune teller   Date ca. 1508 (1508-1510) Medium Oil on panel Dimensions 24 X 30.5 cm (9.45 X 12.01 in) cyf
96034  
FortuneTeller with a Fool, Lucas van Leyden
 
 FortuneTeller with a Fool   between 1508(1508) and 1510(1510) Medium oil on panel cyf
90306  
Healing of blind man of Jericho, Lucas van Leyden
 
 Healing of blind man of Jericho   1531(1531) Medium Oil on panel transferred to canvas cyf
32384  
ipping of the Golden Calf, Lucas van Leyden
 
 ipping of the Golden Calf   wood
33537  
Lot and his Daughters, Lucas van Leyden
 
 Lot and his Daughters   mk86 v.1520 Oil on wood 48x34cm Paris,Musee National du Louvre
21388  
Lot and his Daughters (mk08), Lucas van Leyden
 
 Lot and his Daughters (mk08)   c.1520 Oil on wood, 48x34cm Paris,Musee National du Louvre
96152  
Madonna and Child or Virgin and Child with Angels, Lucas van Leyden
 
 Madonna and Child or Virgin and Child with Angels   circa 1520(1520) Medium oil on panel Dimensions 74 X 44 cm cyf
2450  
Madonna and Child with Mary Magdalene and a Donor, Lucas van Leyden
 
 Madonna and Child with Mary Magdalene and a Donor   Pinakothek, Munich
91470  
Portrat des Jakob Florisz van Montfort, Lucas van Leyden
 
 Portrat des Jakob Florisz van Montfort   1531(1531) Medium oil on panel Dimensions Deutsch: 89 x 32,5 cm cjr
86491  
Preaching in the Church, Lucas van Leyden
 
 Preaching in the Church   Date 1530(1530) Medium Oil on wood Dimensions Height: 133 cm (52.4 in). Width: 97 cm (38.2 in). cjr
75156  
Self portrait, Lucas van Leyden
 
 Self portrait   Date Deutsch: 1. Drittel 16. Jh. English: 1st third of 16th century Medium Oil on panel cyf
97765  
Self portrait, Lucas van Leyden
 
 Self portrait   1509(1509) Medium oil on oak cyf
73474  
Self-portrait, Lucas van Leyden
 
 Self-portrait   1st third of 16th century Oil on panel cjr
86285  
St Jerome Penitent, Lucas van Leyden
 
 St Jerome Penitent   1515(1515) and 1516(1516) Medium Oil on oak panel cyf
23358  
The Card Players (nn03), Lucas van Leyden
 
 The Card Players (nn03)   c 1520 Oil on panel 34 x 48 cm 14 x 18 in Wilton House Salisbury
40344  
The Engagement, Lucas van Leyden
 
 The Engagement   mk156 1527 Oil on panel 30x32cm
55999  
the fortune teller, Lucas van Leyden
 
 the fortune teller   mk247 c.1508 to 10,oil on panel,9x12 in,24x30.5 cm,louvre,paris,france
20291  
The Fortune Teller (mk05), Lucas van Leyden
 
 The Fortune Teller (mk05)   Wood 9 1/2 x 12 1/4''(24 x 31 cm)Given in 1962
92634  
The fortune-teller., Lucas van Leyden
 
 The fortune-teller.   Date c. 1508 (1508-1510) Medium oil on panel Dimensions 24 X 30.5 cm (9.4 X 12 in) TTD
40985  
THe Healing of the Blind man of Jericho, Lucas van Leyden
 
 THe Healing of the Blind man of Jericho   mk156 Triptych 1531 Oil on canvas transferred from panel
89143  
The Temptation of St Anthony, Lucas van Leyden
 
 The Temptation of St Anthony   1530(1530) Medium oil on wood cyf
97616  
The Temptation of St Anthony, Lucas van Leyden
 
 The Temptation of St Anthony   circa 1530(1530) Medium oil on panel cyf
96819  
Thyssen, Lucas van Leyden
 
 Thyssen   Oil on panel - 1525 cyf
93217  
Triptych with the Adoration of the Golden Calf, Lucas van Leyden
 
 Triptych with the Adoration of the Golden Calf   c. 1530(1530) (1525-1533) Medium oil on oak panel Dimensions 92.5 x 127 cm (36.4 x 50 in) cjr
83557  
Virgin and Child with Angels, Lucas van Leyden
 
 Virgin and Child with Angels   Date ca. 1520(1520) Medium Oil on wood Dimensions Height: 74 cm (29.1 in). Width: 44 cm (17.3 in). cjr
90586  
Virgin and Child with Mary Magdalen and a donor, Lucas van Leyden
 
 Virgin and Child with Mary Magdalen and a donor   1522(1522) Medium oil on oak panel cyf
86629  
Virgin and Child with Mary Magdalen and a donor., Lucas van Leyden
 
 Virgin and Child with Mary Magdalen and a donor.   Date 1522(1522) Medium Oil on oak panel Dimensions Height: 51 cm (20.1 in). Width: 68 cm (26.8 in). cjr

Lucas van Leyden
1489-1533 Dutch Lucas van Leyden Galleries Lucas van Leyden (Leiden, 1494 ?C August 8, 1533 in Leiden), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch engraver and painter, born and mainly active in Leiden, who was among the first Dutch exponents of genre painting and is generally regarded as one of the finest engravers in the history of art. He was the pupil of his father, from whose hand no works are known, and of Cornelis Engelbrechtsz, but both of these were painters whereas Lucas himself was principally an engraver. Where he learnt engraving is unknown, but he was highly skilled in that art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14, yet reveals no trace of immaturity in inspiration or technique. Lot and his daughters (ca. 1509)In 1514 he entered the Painters' Guild at Leiden. He seems to have travelled a certain amount, and visits are recorded to Antwerp in 1521, the year of D??rer's Netherlandish journey, and to Middelburg in 1527, when he met Jan Mabuse. An unbroken series of dated engravings makes it possible to follow his career as a print-maker and to date many of his paintings, but no clear pattern of stylistic development emerges. D??rer was the single greatest influence on him, but Lucas was less intellectual in his approach, tending to concentrate on the anecdotal features of the subject and to take delight in caricatures and genre motifs. Carel van Mander characterizes Lucas as a pleasure-loving dilettante, who sometimes worked in bed, but he left a large oeuvre, in spite of his fairly early death, and must have been a prodigious worker. Lucas had a great reputation in his day (Vasari even rated him above D??rer) and is universally regarded as one of the greatest figures in the history of graphic art (he made etchings and woodcuts as well as engravings and was a prolific draughtsman). His status as a painter is less elevated, but he was undoubtedly one of the outstanding Netherlandish painters of his period. He was a pioneer of the Netherlandish genre tradition, as witness his Chess Players (Gemäldegalerie, Berlin) which actually represents a variant game called 'courier' - and his Card Players (National Gallery of Art, Washington), while his celebrated Last Judgement triptych (Lakenhal Museum, Leiden, 1526-27) shows the heights to which he could rise as a religious painter. It eloquently displays his vivid imaginative powers, his marvellous skill as a colourist and his deft and fluid brushwork.



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